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  Writing in the Garden of the Gods
April 26, 2008

Where & When  

Field’s End presents our third one-day writers’ conference at beautiful Kiana Lodge on Saturday, April 26, 2008. Owned and operated by the Suquamish Tribe, in whose language “kiana” means “garden of the gods,” Kiana Lodge is a waterfront conference center overlooking Agate Passage between Bainbridge Island and Poulsbo, Washington.

Supported by Eagle Harbor Book Company

 
  Who  

Opening Speaker: Stephanie Kallos (Broken for You)
Keynote Speaker: Roy Blount, Jr. (Long Time Leaving: Dispatches from Up South)
Closing Speaker: Timothy Egan (The Worst Hard Time)

Workshop presenters and Speakers: *

  • Alice Acheson
    With over thirty years of experience in publishing, Alice Acheson has seen it all and has much to share. Since leaving her publicity post at Crown Publishers, she has worked as an independent editor, publishing consultant, and publicist. Her many success stories include having worked on four simultaneous New York Times bestsellers.
  • Knute Berger
    Knute “Skip” Berger is a Seattle native. He currently writes the “Mossback” column for Crosscut.com, a Pacific Northwest online daily. He also writes a monthly back page column for Seattle Magazine, where he is Editor-at-Large, and is also political columnist for Washington Law & Politics. He is a weekly news commentator on Seattle's public radio station, KUOW-FM. Between 1990 and 2006 Berger did three stints as editor of Seattle Weekly, a newspaper consistently cited by the Society of Professional Journalists as the best “non-daily” in the region.
  • Roy Blount, Jr.
    Thanks to National Public Radio’s “Wait Wait, Don’t Tell Me” Roy Blount is as familiar to radio listeners as he is to readers. After stints as a reporter for The Atlanta Journal and Sports Illustrated, he made the leap to full-time freelance writing in 1975. His books include sports About Three Bricks Shy of a Load, fiction First Hubby, poetry Webster’s Ark and Soupsongs, and the memoir, Be Sweet. His most recent book, Long Time Leaving: Dispatches from Up South, is a collection of short humorous pieces.
  • Lyall Bush
    In addition to serving as director of Richard Hugo House, Seattle’s premiere center for writing, Lyall Bush continues to teach and write. He has taught literature at the college level for two decades and has published in The Iowa Review, Film Comment, Books in Canada and The Seattle Times. In addition to his duties at Hugo House he is working on a collection of stories.
  • Timothy Egan
    Timothy Egan has been a Seattle-based national correspondent for The New York Times for 18 years. His work with a team of reporters on the series “How Race is Lived in America” received the Pulitzer Prize. He has been honored with the Washington State Book Award three times: The Good Rain (1991), Lasso the Wind (1999), and The Worst Hard Time (2006) which was also awarded the National Book Award for Nonfiction. His third grade dream of writing a novel was realized in 2004 with the publication of The Winemaker’s Daughter.
  • Stephanie Kallos
    Stephanie Kallos spent twenty years in the theater as an actor and teacher. Her first novel, Broken for You (Grove/Atlantic) received the Washington State Book Award, the PNBA Award, and was chosen by Sue Monk Kidd as the December 2004 selection for “The Today Show” book club. As writers “we are responsible for the prose part of the character and the dialogue as well, but the big release you get is the ability to dive into somebody’s head. And that’s the part of acting I liked the most-the inner life.” Kallos’s short fiction has received a Raymond Carver Award and been nominated for a Pushcart Prize. Her second novel, Sing Them Home, will be published by Grove/Atlantic in 2008.
  • Laura Kalpakian
    Laura Kalpakian is the author of ten novels and three collections of short fiction. Her latest, American Cookery, is the fourth of her novels set in fictional St. Elmo, California, following These Latter Days, Graced Land and Caveat. She has received a National Endowment of the Arts, a Pushcart Prize, and twice the Pacific Northwest Booksellers’ Award. She has also gathered her short fiction in three collections. The New Yorker described her prose as “generous, gritty, sexy, full of lyrical musings, and funny as all get-out.”
  • Thomas Kohnstamm
    Thomas Kohnstamm has been both a traveling writer and a travel writer for a decade. In addition to contributing to over a dozen Lonely Planet titles, he has written for The Los Angeles Times, Travel + Leisure, Forbes, and The San Francisco Chronicle. He has also taught travel writing for mediabistro.com in Seattle and New York. His book, Do Travel Writers Go to Hell?: A Swashbuckling Tale of High Adventure, Questionable Ethics & Professional Hedonism will be published in Spring 2008.
  • Rosina Lippi / Sara Donati
    Rosina Lippi’s path to novelist began with graduate studies in linguistics. By the end of her dissertation fieldwork she not only had scholarly data, but hundreds of stories waiting to be told. Her first novel, Homestead, received the PEN/Hemingway Award and was short listed for the Orange Prize. She also began exploring women’s experiences of early American history under the penname Sara Donati. The resulting Wilderness series now includes six titles, including Queen of Swords. Lippi continues to enjoy switching between novels that are character driven with those that focus on plot. More recently she has turned to contemporary romantic comedy with Tied to the Tracks and The Pajama Girls of Lambert Square (forthcoming).
  • Jennifer Louden
    Jennifer Louden has been dividing her time between writing and nurturing others to express themselves since 1992. In addition to being a columnist for Martha Stewart’s Body + Soul magazine, she is the author of five books including The Life Organizer: A Woman's Guide to a Mindful Year.
  • Nancy Pagh
    Nancy Pagh’s poems have appeared in Rattle, Poetry Northwest, Crab Creek Review, The Bellingham Review, Pontoon, Poetry Daily, and O Magazine, and have twice been featured on “The Beat,” a Seattle NPR literary segment. Her first collection, No Sweeter Fat, won the 2006 Autumn House Press book award. At Home Afloat, her study of women’s travel language at sea, was co-published in 2001 by the University of Idaho Press and the University of Calgary Press. She is a 2007 recipient of an Artist Trust/Washington State Arts Commission fellowship and currently teaches English at Western Washington University.
  • Charlie Pavlosky
    Since studying theater, film, and music at the School for Performing Arts in London, Pavlosky has worked successfully in all three areas. Still, film and film writing remain his first love. He has written screenplays based on his original stories, helped with production on films including American Beauty and Being John Malkovich, and been guest lecturer at the UCLA school of Theater, Film and Television. He has completed production on his feature film, Dead Letters, and begins production on his next film this spring.
  • Sheila Rabe/Sheila Roberts
    Though certain she would become a famous songwriter, Sheila Rabe’s musical career took a back seat when she “got the idea for a great book.” Since then she has written 18 books (fiction and nonfiction), and developed multiple personalities. She has written under the name Sheila Robins, and her latest book, On Strike for Christmas, was penned by her dead-ringer, Sheila Roberts. When not being someone else, she teaches writing, including classes for Field’s End.
  • Suzanne Selfors
    Raised on Bainbridge Island, Suzanne Selfors developed a passion for stories and theater at an early age. After graduating with university honors in theater and film, she received a master’s degree in communication from the University of Washington. Once her children were in school, Selfors’s hibernating passion for writing awakened in 2002. She has lived her maxim: “Talent helps, but determination is mandatory.” Her first novel, To Catch a Mermaid, was published in 2007. Her second novel, Saving Juliet, will be published Feb. 4, 2008.
  • David Wagoner
    David Wagoner is the author of numerous poetry collections including In Broken Country, and The House of Song. His Collected Poems: 1956-1976 was nominated for the National Book Award. He is also the author of ten novels. In the course of his career Wagoner’s awards have included the Sherwood Anderson Award, the Fels Prize as well as fellowships from the Guggenheim Foundation and the National Endowment for the Arts. He has been nominated twice for the National Book Award and once for the Pulitzer. Francis Coppola made a movie of his novel The Escape Artist. A professor emeritus at University of Washington, he was editor of Poetry Northwest from 1966 to 2002.
* Subject to change

 
  What  

Conference fees include Kiana Lodge’s fabulous salmon (or vegetarian) buffet lunch, continental breakfast, your choice of breakout sessions and/or writing workshops, three speakers, booksigning and a wine and cheese reception. Back this year is the popular workshop Page One centered on your writing.




Schedule

8:30 - 9:30 Registration and coffee

9:30 - 9:45 Welcome and Introduction

9:45 - 10:30 Morning Speaker Stephanie Kallos

    “If you want to make God laugh, tell Him your outline”
10:30 - 10:45 Break

10:45 - 11:45 Breakout Session I

11:45 - 12:00 Break

12:00 - 1:00 Breakout Session II

1:00 - 1:45 Lunch

1:45 - 2:30 Luncheon Speaker Roy Blount, Jr.

2:30 - 2:45 Break

2:45 - 3:45 Breakout Session III

3:45 - 4:00 Break

4:00 - 4:45 Closing speaker Timothy Egan

4:45 - 6:00 Booksigning, Wine and Cheese Reception



Breakout Session I

  • Rosina Lippi: Literary Fiction
    • Is there such a thing as literary fiction?
      The idea of a ’literary’ fiction is relatively new, but it is so widely accepted that it feels almost carved in stone. A closer look at what literary fiction claims to be, and how the litcriterati have bamboozled everyone -- including themselves.
  • Jennifer Louden: Writing Naked (with your clothes on):
    How to nurture your creative truth, romance your muse and get the work done
    • Come explore with me the very best ways to make your writing more honest, to keep the energy and ideas flowing, and to write, write, write! We’ll explore how to access your heart wisdom and writer’s intuition in seconds, how to melt writing fears and blocks (or at least down to a manageable size), how to make not writing not a problem, the vital importance of becoming intimate with your writing process and knowing what will satisfy you, how to get started with more ease, the big single thing you can do to write more, and whatever else we have time to cover. I promise you’ll come away with at least three pieces of writing help that will change your writing life - and that you’ll laugh a lot in the process.
  • Charley Pavlosky: Paint Fast - Get Out of The Way and Let The Movie Come Through, Please!
    • Uncover the secrets to screenplay structure, narrative flow, and the art of getting it all down on paper. We’ll cover the differences in narrative flow in the various media (theatre, film, television, and fictional novels) and will discuss the aspects of screenplay creation, from initial idea to final product and beyond.
  • David Wagoner: Getting a Poem Together
    • This workshop will focus on the ways poets make close connections between sound, rhythm, and meaning.
  • Page One: Nonfiction
    • With Lyall Bush and Alice Acheson, moderated by Sheila Rabe.

Breakout Session II

  • Suzanne Selfors: Finding Your Genre
    • What is the difference between literary and commercial fiction? What about a middle reader and a young adult novel? How is narrative nonfiction different from regular nonfiction? Understanding where your book “fits” is essential when it comes time to pitch it to agents and/or editors. Knowing the genres before you write may help you avoid the “I don’t know how to market this” rejection.
  • Laura Kalpakian: Speak to Me: Developing Dramatic Dialogue
    • Dialogue gives voice - literally - to any prose work and serves the story on multiple levels. At the same time dialogue reveals character, it also moves the story forward. This session will offer suggestions for strengthening your skills as a listener which, in turn, strengthens your ability to render lively dialogue.
  • Alice Acheson: Creating the “Pre-pub Platform”
    • Agents and publishers demand it. How do you create one? What do they not want to hear? When should you create a web site? Why is the Author Questionnaire so important? Walk out with abundant handouts and real tools to handle your pre-publication marketing tasks.
  • Thomas Kohnstamm: Approaches to Place
    • A rich sense of place, in fiction and non-fiction work, is much more than just a description of the landscape. We will discuss various approaches that lead to a deeper, more textured formation of the setting of your work - whether it be for multiple locations or a singular place throughout the text. Both new writers and experienced writers who want to rethink this important aspect of their work will broaden their perspective and technique through this presentation.
  • Page One: Poetry
    • With Nancy Pagh and David Wagoner, moderated by George Shannon.

Breakout Session III

  • Lyall Bush The Long and the Short
    • A good sentence, among other things, traces thought, the music of a mind at work. That's true whether we're reading a mind self-editing (Harold Brodkey), obsessing (David Foster Wallace) or offering a deconstructive X-ray of thought itself (Joan Didion). We will look at great examples of the above and, given time, we will try our own, too.
  • Knute Berger: Writing About Where You Live
    • When you’re writing locally, your job doesn’t end when you put your pen down or turn off the computer. You will still have to deal with your neighbors. We’ll talk about the joys and hazards of writing about politics, history and culture in your hometown, where readers bake you cookies and stalkers know where you live!
  • Rosina Lippi: Historical fiction: Authenticity and its limitations
    • Historical linguists strive for authenticity in setting, language, and mindset, but to what degree is that possible -- or even desirable?
  • Stephanie Kallos: A Chat
    • Ms. Kallos will respond to questions.
  • Page One: Fiction
    • With Laura Kalpakian and Alice Acheson, moderated by Sheila Rabe.

Page One

Following the success of our Page One workshop at last year’s conference we are adding both a nonfiction and poetry workshop in 2008.

There will be three Page One workshops, nonfiction during Breakout Session I, poetry during Breakout Session II and fiction during Breakout Session III. If you wish to have your work considered, bring one page (fiction and/or nonfiction), between 250 and 300 words, double spaced, in a 12 point font. For the poetry session submit one poem, single-spaced within each stanza, double-spaced between stanzas. Use a 12 point font. Your poem should not exceed 1 1/2 pages in length.

During the workshop a selection of submissions will be anonymously read aloud followed by the workshop leader’s comments. While there will not be time to read and comment on every submission, we can all learn from the strength and temporary flaws of any first page or poem discussed.

When you check in at the conference, look for the box which corresponds to the Page One session you wish to attend, and deposit your work in it. You do not have to submit work to attend a Page One workshop, and there is no guarantee that work you do submit will be addressed during the session. Workshop leaders will choose representative work to discuss.

All pages will be shredded after the conference.


 
  How  

Cost

    Individual
  • $135 - February 1 - February 29, 2008
  • $150 - March 1 - April 18, 2008
    Group (5 or more persons registering together)
  • $130/person, by mail only

Registration

Registration is closed.


Cancellations

Registrations are refundable up to and including March 26, 2008. After this date, refunds will only be made if your place can be filled from a waiting list. All refunds are subject to a $30 administration charge.

Lodging

Bainbridge Island Lodging Association

Bainbridge Vacation Rentals

Clearwater Casino Resort




Transportation

Ferries:

Suitable ferries are the 6:10 a.m. and 7:55 a.m. Seattle to Bainbridge Island and the 7:10 a.m. and 7:55 a.m. Edmonds to Kingston. As ferry schedules may be subject to change we strongly recommend you check Washington State Ferries to confirm all sailings.

Ferry Walk-on

Reservations can be made for Kiana Lodge’s complimentary shuttle bus service from the Seattle/Bainbridge ferry. The bus will meet the 7:55 a.m. ferry from Seattle (arrives Bainbridge Island approximately 8:30 a.m.) and provide transport to the conference. IMPORTANT - the shuttle is provided on a reservation only basis, so if you wish to use this service please send an email to registrar@fieldsend.org on or before April 20th.

Car Parking:

Free conference parking will be provided at Clearwater Casino, with shuttles to and from Kiana Lodge, which is fewer than ten minutes from the Casino. Due to space limitations, no participant parking will be allowed at Kiana Lodge.

A portion of the northeast corner of the casino parking lot, close to the big casino sign, will be roped off and designated with signs for Kiana Lodge. Please park in this area and wait in or near your car. Shuttle buses will leave from this point every 15 minutes starting at 8:15 a.m. until 9:30 a.m. Please take this into consideration when timing your arrival. Registration, coffee, and visiting begin at 8:30 a.m.



  Sponsors  

Premier Sponsors

Prudential Northwest Real Estate

Gilbert Thomes Jewelry



Donors

Abode on the Sea Guest House

American Marine Bank

Bainbridge Island Chamber of Commerce

Best Western Bainbridge Island Suites

Dana’s Showhouse

Glass Onion CD and Tape Works

Harbor View Guesthouse

Julie’s Frame Gallery

Kellerman Creek B & B

Port Madison Home Furnishings

Renew Day Spa

Winslow Web Design

Writer’s Rainbow Literary Services

 


Where & When

Who

What
Schedule
Breakouts
Page One
How
Cost
Registration
Cancellations
Lodging
Transportation
Sponsors